Daily Jazz Scales and Arpeggios

I knew that if I was going to take lessons, I would have to be in shape. That means scales and arpeggios. So I made a rule that I would practice them an hour every day. Here’s how I did them:

I concentrated on one key a day, going around the circle of fifths, first with major, then with it’s relative minor: i.e. C major, A minor, F major, D minor, B flat major, G minor, etc. A metronome or drum machine was usually going – varied tempos – and I often used a reference tone for intonation.

Arpeggios – I did fifteen minutes each of tonic triads and dominant sevenths with straight (example 1) and mixed (examples 2 – 4) rhythms. Examples 3 and 4 are especially good to do with the bow. I also did progressions of diatonic triads and sevenths (examples 5 and 6).

Scales – fifteen minutes each of tonic and dominant.

To make it relevant to jazz soloing, I decided to concentrate on eighth-note bebop scales, (examples 7 and 8). But instead of starting and ending on beats (square), I added notes – a chromatic leading note at the beginning and an extra chord tone at the end – so that each phrase starts and ends on off-beats (hip). I did these beginning on each chord tone (examples 9 and 10).

Yes, I did this every day, going between upright (bowed and pizz) and electric, starting slowly (for tone and intonation) and not getting really fast until the end of the session.

Since we’re on the topic of daily practice, I’m also continuing the rule of recording myself every day without fail. This has been the most helpful feedback ever! Do this!

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You can download this as a .pdf here: jazz-scales-and-arps-for-blog

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